Présences croisées – Crossed Presences
Amal Abdenour, Emma Ben Aziza, Zoulikha Bouabdellah,
Fêla Kefi-Leroux, Farah Khelil, Baya Mahieddine,
Katayoun Rouhi
Coinciding with an exceptional conversation on the occasion of the launch of the catalogue Arab Presences | Modern Art and Decolonisation – Paris 1908–1988, edited by Zamân Books in partership with The Farjam Foundation et le MAM – Musée d’art moderne de Paris, the exhibition Présences croisées – Crossed Presences brings together the works of seven women artists whose trajectories, whether historical or contemporary, intersect with, extend, or question the aesthetic, political, and spiritual lineages of this history.
In keeping with its curatorial approach, lilia ben salah gallery is pleased to present a group exhibition bringing together several generations of women artists. From historical figures such as Baya Mahieddine and Amal Abdenour, to mid-career artists like Fêla Kefi-Leroux, and contemporary practices represented by Zoulikha Bouabdellah, Farah Khelil, Katayoun Rouhi, and emerging artist Emma Ben Aziza, this intergenerational constellation explores the fertile tensions between heritage and reinvention, memory and creation. Their works resonate with the struggles, cultural circulations, and the aesthetic and political dynamics experienced by Arab women artists in Paris, reviving the echoes of a history in constant evolution.
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Amal Abdenour, Sans titre, 1974
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Amal Abdenour, Maman ne pleure pas! Je suis bien! 1, 1974-79
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Amal Abdenour, Autoportrait vert, 1974
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Emma Ben Aziza, Le grain de la mémoire, Chapitre III : Correspondre à la distance, 2024
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Emma Ben Aziza, Citrus Sinensis Thomson Navel, Chapitre I Le dernier arbre du jardin, 2023
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Zoulikha Bouabdellah, Double Vénus et Adonis, 2023
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Zoulikha Bouabdellah, Le Soldat 1, 2023
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Fêla Kefi Leroux, Préparation à l’intimité (mariage), 1964
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Fêla Kefi Leroux, La fille en bleu, 2000
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Fêla Kefi Leroux, L'étonnement, 1975
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Fêla Kefi Leroux, Le souffle, 1998
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Farah Khelil, Lignes 1, 2021
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Farah Khelil, Lignes 2, 2021
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Farah Khelil, Iqra, 2017
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Farah Khelil, Pan de mur #1, 2021
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Baya Mahieddine, Composition au luth, aux oiseaux, aux papillons, aux raisins et aux vases de fleurs, 1983
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Baya Mahieddine, La Femme au vase rose, 1982
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Katayoun Rouhi, Sui Generis, Rafah, 2024
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Katayoun Rouhi, Sui Generis, Mossul, 2024
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Katayoun Rouhi, Sui Generis, Hamedan, 2024